Andover Fabrics Sun Print Whisper Emerald Enough low volume quilting cotton by Alison Glass at Linda's Electric Quilters

Andover Fabrics has been a New York quilting house since 1976, and its identity is designer-driven modern cotton - the mill behind Giucy Giuce, Alison Glass, and Libs Elliott. In our store the Andover program centers on two things right now: the Sun Print Whisper capsule and the Phosphor wideback. Small catalog, distinct point of view. Here is the tour.

Sun Print Whisper - Alison Glass, Turned Down to a Whisper

Alison Glass's annual Sun Print collections are a modern-quilting institution, and Whisper is the low-volume edition: the signature hand-drawn motifs printed tone-on-tone in barely-there color. Low-volume prints are the modern quilter's neutrals - backgrounds with personality that read as texture from a distance. In stock: Zebra Dwell, Magenta Dwell, Marigold Dwell, Pigeon Enough, and Emerald Enough. Buy them as background yardage the way you would buy solids - two or three yards each - because low-volume backgrounds are what modern quilts run out of first.

Phosphor - The Modern Wideback

Andover's Phosphor wideback in White and Grey is a crosshatch-sketch texture in backing width - the natural back for exactly the quilts Sun Print fronts: modern, graphic, lots of negative space. It sits alongside the abstracts in our Beyond Grunge wideback guide and the master Wideback Hub.

The Rest of the Andover World

Andover's coastal Beach House collection has its own guide, and the brand's designer DNA pairs naturally with the other modern lines we carry - Ruby Star Society, Tula Pink, and Kaffe Fassett. A Sun Print Whisper background under Tula or Kaffe feature prints is a combination that never misses.

Using Low-Volume Prints Well

Two working rules. First, mix them: three or four different low-volume prints as a background reads richer than one, and because Whisper's motifs vary while the values match, they blend seamlessly. Second, audition in grayscale - photograph your pull and desaturate it; if the background prints disappear into each other and the feature fabrics pop, the quilt will work. Piece them with a fine 50wt like Aurifil so seams stay flat in all that light-colored negative space, and quilt with a near-invisible thread - So Fine 401 Snow or MicroQuilter from the Thread Hub - so the texture, not the thread, carries the show.

Frequently Asked Questions

What does low-volume mean in quilting fabric?
Prints with very low color saturation and contrast - whites, creams, and pale tones with subtle motifs. They function as backgrounds the way solids do, but with texture and interest up close.
Is Andover cotton the same quality as Moda or Riley Blake?
Yes - Andover weaves premium quilt-shop cotton with a smooth hand comparable to the other top mills. Their difference is design direction, not cloth quality.
Can I mix Sun Print Whisper with solids?
Absolutely - Whisper prints beside Bella or Kona solids add depth without changing the palette. Match values and the eye reads them as one background family.
What should I back a modern low-volume quilt with?
A light, textured wideback like Phosphor White and Grey keeps the modern aesthetic through to the back and hides bobbin thread on all that pale ground. Go grey rather than pure white if your bobbin thread will be anything but white.

Shop the Whisper prints and Phosphor back above, and see the solids comparison to round out a modern background wall.

Leave a comment

All comments are moderated before being published